LIGHT AT THE END OF THE TUNNEL

    My poor readers. You've been eagerly awaiting the next book in the DI Sonny Russell series of crime mysteries and I've kept you hanging around for much longer than I usually do between books. I don't know why this one has taken so long - almost two years already. 

    It started well, with a good strong thread revolving around dubious goings on in a sanatorium, then a second thread dealing with Egyptian artefacts someone was trying to sell, which might have been stolen and might or might not be genuine. Somewhere along the line writing slowed to a crawl as I was struggling to find a way forward. It wasn't writers block, as such, but I couldn't even see the tunnel, let alone the light at the end of it. But, at last, the writing has gathered pace.

    In my usual way, I write as a reader - keen to discover what's coming next. Interesting ideas came out of the blue, including a new character, an Assistant Chief Constable, who has requested Russell's help in a sensitive case. This only happened about twenty pages ago and has helped the narrative immensely. 

    I have just passed the magical 75,000 word mark so feel I'm on the home straight. So saying, I'd better get on with writing it!

CHARCOAL & PLAGIARISM.

 CHARCOAL & PLAGIARISM

Burning charcoal

Why the strange dual title you may ask? Let me explain. In my current work in progress, BLOOD ON THE DUNES, the main character, a runaway from a children's home, is hiding in the woods. He has a copy of Baden Powell's Scouting for Boys which he's read from cover to cover and is skilled in woodmanship and all manner of outdoor skills. So he plans to build a shelter, a bivouac, so he can stay concealed. He pushes deeper into the woods and is delighted to discover a readymade shelter. He doesn't realise that's it's an abandoned Charcoal burner's hut.

Construction of a charcoal burner's hut

Charcoal burning is an ancient tradition going back over 3,000 years. It was discovered that charcoal provided sufficient heat for iron-smelting, glass-making and working with precious metals. It was the discovery that charcoal could be used to smelt tin and copper together, hence the Bronze Age, which lasted from c3,500-800 BC. It continued to be used into the Iron Age although as this required much higher temperatures, coal and coke rapidly replaced it from about 1700 onwards. The production of charcoal then went into decline and almost died out until a revival during WW1 when it was used extensively as a filter in gas masks. Again, the craft faded away until a brief revival for the same purpose in WW2. Nowadays production is limited to the use on barbecues and in some incenses.

A charcoal burner's hut

So much for the history lesson, now to plagiarism. I wrote about a couple of  felons who took shelter in a charcoal burner's hut after a train robbery in BLOOD ON THE SHRINE, but didn't go into much detail. But, I went back to that book and 'borrowed' some of what I'd written for inclusion in the new book. I must stress that I haven't copied it verbatim, just used some of the ideas I'd written down. It also sent me down a research rabbit hole looking into the ancient craft. Here's a link if you'd like to know more. 

New Forest Charcoal Burners - Real New Forest Guide

STRANGE TIMES but Life must go on

STRANGE TIMES

but Life must go on.

I'm sitting in my writing studio, listening to the wind howling outside. The branches of the oak tree are rattling on the roof - must cut them back - and the sea looks angry, with white horses piling up. Plus life is extra stressful in my day job as a garden designer, with materials becoming difficult to source. Not surprising in the current circumstances, but still frustrating. However, I'm safe and warm so I shouldn't really complain.

Despite the difficulties in making progress on my current book, BLOOD ON THE GARDEN and, of course, Aggie is in it, assisting her 'master' DI Sonny Russell with his cases.

In this book I've decided to incorporate the plant knowledge I've accumulated in my working life. As an aside, I only started gardening seriously less than 20 years ago, when my work as a freelance modelmaker began drying up. I used to carry a library of 'how to garden' books and plant encyclopedias around in my car when I started. Learning the necessary skills was a steep learning curve, culminating in three medal winning gardens at the prestigious Chelsea Flower Show and a career in garden design. So I think I'm reasonably qualified now.

I've used my skills in designing and building a courtyard garden in my little holiday let cottage in Northiam....

 ...And I am gradually transforming the garden at home.

I do like a wild, jungle feel, as you can see, and have all too easily achieved this on the 39 Steps up to my studio. The plants are: Tetrapanax papyrifer - Rice paper plant, Lysimachia clethroides - Gooseneck loosestrife, Alchemilla mollis - Lady's mantle and Leycesteria formosa - Himalayan honeysuckle.

As mentioned above, I'm going to incorporate my plant knowledge in the new book - which will go well with the title. So be prepared for some colourful passages!

CHANNELING ROWLAND EMETT - a change of direction

CHANNELING ROWLAND EMETT 

a change of direction

Lockdown makes you do strange things. The inspiration for my DI Sonny Russell series of crime novels initially came from a narrow gauge railway layout I built called Compass Point. This was  loosely based on Rye Harbour, the major setting for the first book and subsequently playing a part in the others. I was astonished to find that the layout was started in 2014 and I began writing Blood on the Tide in 2016. How time flies when you're having fun. 

Three books later, I'm struggling with book five, provisionally titled Blood in the Garden. so, by way of a diversion, I've been modelling a new railway, inspired by the drawings and works of Rowland Emett. He produced the Far Tottering and Oyster Creek Railway that was featured in the 1951 Festival of Britain where it carried over 2 million passengers. My interpretation is not a slavish copy as you can see if you look at http://www.rowlandemett.com/. It's more an homage or tribute to the man.

I know it looks a bit mad but it's been great fun, working to my normal modelling standards, but producing something whimsical. You never know, it might inspire me to start writing - but what?!

AUTHOR AUTHOR!

AUTHOR AUTHOR!

Fishermen's rail track and hut - Dungeness

You'd think that in these straightened times I'd be cracking on with writing the next instalment of the adventures of DI Sonny Russell and his loyal terrier, Aggie. Well I should be. But... some sort of ennui has set in and, in the evening, when I'd normally lounge on the sofa with the laptop, I seem to be gorging on crime dramas on Netflix or BBC iPlayer. I doesn't mean that I'm not thinking about writing - I am - it's just that I'm not actually doing it although I have started.

Old bridge over the Royal Military Canal at Appledore

But that's part of the problem. I've started not one, but two books. One, provisionally titled BLOOD IN THE GARDEN, is planned to be the fifth in the DI Russell series set in the 1950s. The other, THE WRONG CAR, is my attempt at writing a contemporary story, more in keeping with the current trend for grittier, up to the minute writing. My dilemma, as well as a general laziness, is choosing which one to continue with. 

Netherwood House, Hastings

Last home of Aleister Crowley

I seem to be developing a following for my 1950s series and have sold 1/4 of the first print run of my new novel, BLOOD ON THE CARDS, plus the kindle sales have been encouraging. So perhaps I should stick to this and trust that the momentum continues. However, like most writers, I would like to sell more books and wonder if I should be writing in a style that's currently in vogue.

Suggestions would be gratefully received. The photos I've used above are from scenes in BLOOD ON THE CARDS which is available from me or on Amazon.